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Crashland
- Reviews
Crashland (The Devoted EP )
Much like My Vitriol and King
Adora, Crashland deal in spikey, metallic pop that grazes
the charts but never seems to make the jump to genuine,
Foo-Fighters like major league action. Of the three
bands fates, Crashland's exile to the hinterland of
under-achievement (they were dropped by their previous
company, Independienete) is the greatest shame.
The tracks on this EP demonstrate exactly why their
fanbase remains devoted and respectably numerous: Karaoke
Ballad sounds like the Afgan Whigs' soulful-voiced Greg
Duli, Devotion recalls former label-mates Travis, Passive
Aggressive mimics the Posies'brand of thrashy ultrapop,
while Money Shot possesses enough spikey pop nous to
illicit comparisons to both Blondie and Dave Grohl's
aforementioned crew.
Crashland are never going to set the world on fire,
but with songs like Passive Aggressive, they have nothing
to be ashamed of. 8/10
Honk (The Welsh Music Foundation)
Crashland Louisiana, Bristol
(Fri 2 Nov 2001)
Punk never looked so pretty as Crashland's singer/guitarist
Alex Troup. At times the music seemed to resemble his
coiffeured barnet-cool but over-styled. They've not
had the fast track to stardom they expected but they're
sure as hell gonna act like it's already happened...and
acting it is. See the wink, the crowd stare and the
fey posturing. And why not?
They have got some tunes on 'em...fantastic tight assed
romps of effervescent pop that almost keep to the three-minute
rule, the brazen charm of Modern Animal and Standard
Love Affair, similar in the high-spirited novelty that
Supergrass capture. Other stabbs at uninspired punk
like 'Submission' are merely three-chord riff-fillers.
The image is carefully devised but a clear musical identity
seems elusive.
Shame on you, Alex. He woos a girl to the point that
she reaches out and touches his foot. Not quite the
messiah yet, though. (Nina
Coughlan) Venue
Crashland
The glory tonight is clearly Crashland's and as the
'sound of music' fills the stage, those of a weak disposition
have already left the building. On first appearances
they might just be pretty boys with shaggy blonde haircuts,
but the kids know how to ROCK - and they do it with
the kind of ease and composure that arouses little sympathy
when they claim at 'feeling a little new'. Drawing to
a close with the stunning 'Karaoke Ballad', this is
a 'Devotion 'that will soon be widespread.
Victoria
Durham ( Rocksound ) issue110
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