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Fear Of Darkness  
was formed in Bristol, England in 1984. The original line-up featured....

Dave Mac....vocals
Darby....guitar
Trav....bass
Paul Gibbs....drums

 

Fear Of Darkness
They were signed to Heartbeat Records a subsidiary of Riot City Records and released their debut single in September of 1984 - a three track 12 inch featuring....

1  FEAR OF DARKNESS
2  SAME OLD STORY
3  FEAR OF DARKNESS
   (mega mix)

HEARTBEAT RECORDS
FEAR 001


Fear Of Darkness
The band toured extensively in the UK picking up a large loyal following, having been likened to the Cult, New Model Army and the Alarm. In 1986 the band switched to Embryo Records, a label founded by Ken Pustanik, the Groundhogs drummer and released their album The Virgin Land to critical acclaim...

TRACKS...

1  FALLING DOWN
2  CHAINS AND GATES
3  JUSTICE
4  THE VIRGIN LAND
5  YOU CAN ONLY BE
    YOURSELF
6  PROMISES
7  IN A RUT

EMBRYO RECORDS
CMLP3

 

Fear Of Darkness - The Virgin Land
AFTER THE FIRE

TRACKS...


1  FALLING DOWN
2  AFTER THE FIRE
3  KEYS OF TIME
4  INSIDE YOUR HEART
5  FEAR OF DARKNESS (LIVE)
6  YOU CAN ONLY BE
    YOURSELF
7  CHAINS AND GATES
8  JUSTICE
9  PROMISE
10  VIRGIN LAND
11  OTHER SIDE OF THE HILL
12  TEAR ME UP
13  BURNING
14  FEAR OF DARKNESS
15  SAME OLD STORY
16  DARKNESS (MEGA MIX)
17  FALLING DOWN
     (VERSION)

SUGAR SHACK RECORDS UK ACDR 004  CD LP

Fear Of Darkness - After The Fire
Reviews of the Virgin Land...

.... Is reminiscent of The Clash and the Alarm, but has enough innovation in it and pointer to the future to make me think there's something rather promising here.
(Venue)


.... The greatest moment of all comes when guitarist Darby piles up a cascade of very-metal kamikaze riffs on top of each other as an excuse for a middle eight before tossing off James Bond Theme while the drummer Paul Gibbs exchanges his sticks for mallets.
(Martin Ashton, Melody Maker, 3/5/1986)


Live Review...

.... The four multi-coloured mops assembled themselves behind their particular noisemakers and then proceeded to assault the relevant senses with some modern anthemic rock and roll and an unhealthy amount of volume. FOD have got more than a decent collection of tunes, are able to summon up bags of verve and enthusiasm and the entire constituent parts gel as easily as their hair-dos. What more can you ask?
(Richard Putler, Sounds, 1/2/1986)
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