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Redefine Reviews

The Daisychain Cycle
(Sugarshack)

In the twelve months since their first single crept out, this teenage quartet have gone from complete unknowns to a "heard of 'em, never heard them, though", but you would be doing yourself a massive - and I really do mean massive - disservice if you let this staggering début album slip you by. They've cast their influential net wide, taking in everything from the infectious grooves of Incubus to the all-out rage of early Deftones, and come up with an LP which will knock your socks into next week.

Although 'Solid State Of Effigy' sucks like a baby on a nipple farm, everything else on here, right from the brilliantly reworked 'Seven By Seven' to the oddball electronic noodlings of 'B===D' all glue together to make the most enjoyable, listener-friendly record of the year so far.
  Ian Distort (9/10 ) march 2002

Redefine
The Daisy Chain Cycle

Those hard-rocking metal munchkins are going great guns since we featured them in Synergy #20, and are as we speak busy putting the final touches on the mix of their spanking new debut longplayer. And judging by the promo copy we at Synergy Towers managed to extract from the clenched fist of Mike Darby at Sugar Shack, it's on track to be something of a runaway success.

Formed 1998, Redefine are already regulars on the rock gig circuit and no strangers to venues like the Louisiana, the Fleece and the Bierkeller, despite their, ahem, youth, and the Daisy Chain Cycle is proof of their musical maturity. From the pent-up emotion of Boy Monkey, through the scream-till-your-throat-bleeds shoutiness of A - z Of Internet Dating, to the could-be-Bond-theme Seven By Seven the Redefine chaps are well on the way to redefining rock. Just listen to the experimental stylings of Solid State Coffee Drinker and 8=D if you don't believe me. 
Chris Mitchell, Synergie 8/10

Redefine - The Daisychain Cycle (Sugarshack)
Redefine sound nothing like you would imagine them to. They are all under 20 and hail from Bristol. But this, their debut album, is sure to cause a stir amongst rock fans, because it Rocks with a capital R O C and K.

With the resurgence of British rock from the likes of Hundred Reasons, Lostprophets et al, Redefine could be the next UK promise. This is such an accomplished debut that is kind of scary to think would they could potentially produce in future years once they have fully mastered their trade. Vocals courtesy of Pete Daplyn are full of equal measures of emotion and rage, and the backdrop of breakbeat DJ-ing and sampling, a wall of guitars and pulsating drums make this one of the best debut rock albums for a long time. 

They sound like a super mix of many American highfliers - from Deftones, to Garrison (on tracks such as 'Solid State Effigy') but more rightly Incubus - but being British and with a very distinct sound to really make it on their own merit.

If you don't hear more from Redefine soon, then I guess everyone has given up on rock music and dance music has taken over the world. Which would be a real shame, as Redefine are a band you should want to hear.

This band could and should be huge.

www.onetomanydjs.co.uk

REDEFINE
' THE DAISYCHAIN CYCLE ' ALBUM 
1/2 page picture album review in Rocksound issue 36 - out Sat 20/4/2002
4/5 rating

Its sometimes reassuring to know that not all quality albums have to be the product of Mr Major Label with oodles of money to splash around on marketing campaigns.

Good music can come from alternative sources: the small labels, with their fingers on the underground pulse.

We've already seen this with the likes of Liberty 37, Earthtone 9 and Vacant Stare coming through from the undergrowth - and now Sugar Shack Records from Bristol have given us Redefine to add to that list.

Following on from two critically - acclaimed singles, 'The Daisychain Cycle' is a powerful debut that leaves you aghast at how good this band are.

Having been ready to dismiss the quartet as Placebo - wannabes after the initial singles, 'The Daisychain cycle' clearly shows these youngsters to be proficient, confident and artistically creative, and much more than mere clones of more-established indie rockers.

Admittedly, songs like 'Cypher' hint at old Brian Molko's irritating vocal whines, but others, like the electronica-tinged pop anthem 'Boy Monkey', and ' Seven by Seven', which harks back to Smashing Pumpkins at their heaviest and bleakest moments, show Redefine are in a league of their own.

Not a million miles away from Muse (without Matt Bellamy's hideously-excessive operatic croons ),Vex Red, Silverchair ( vocalist Pete Daplyn could easily front a Siverchair covers band, such is the likeness of the two at times ) and hottly tipped noisesters Mahumodo, it's hard to pick fault with this debut release.

That is, apart from the directionlessness of the electronic instrumental ' 8 ===D', which comes across as rather unfocused. But hey, that's a tiny fault in an album that should see Redefine pick up plenty of new fans.

DARREN SADLER ( FEATURES EDITOR )
Rocksound


Redefine : Thedaisychaincycle
Sugarshack Records 

Seems like there is a bit of a rock revolution going on here in the UK. Acts like Lostprophets and Hundred Reasons seem to be at the forefront, but just behind we have Autonomy and Number One Son. Now you can add Redefine to that list.

Redefine aren't doing anything radically different or that much the same, but they do stand out from the crowd of wannabe rock stars. They seem to posses that sense of melody needed to break through onto the radio and the nation's rock club floors with standout tracks like Seven By Seven and Jennifer Cried screaming to be played loud and begging you to hurl yourself around the room into inanimate objects for fun - and that is a key word here, as the band certainly sound like they are enjoying the recording process.

The production (handled by Matt Sampson with the band) lets the songs breathe freely enough to soar from your speakers. The drum sound is good and the guitars are clean, and they sound like a band in control. Perhaps the only drawback is that they don't have a killer song - one that sticks in your mind all day after hearing it - but what is evident is that we have twelve really well crafted rock songs to contend with, and for now that's plenty enough.

:: JJ Starr
www.shakenstir.co.uk

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